Kamakura-Guide
Welcome to Kamakura, an old capital city of Japan, situated 50 min. from Tokyo.
Tuesday, February 23, 2010
Traditional Girl's Festival in Japan
Tuesday, February 9, 2010
20100206 Kamakura Museum
Monday, February 8, 2010
A world of antiquarian books in Japan
Welcome to a world of antiquarian books
In China, it is said that they destroyed many books and art works from the previous dynasty every time they changed dynasties. In Japan, many antiquarian books have survived, providing Japan with a rich cultural heritage.
Kanda-Jinbocho is situated in the center of Tokyo with more than 180 antiquarian bookstores and 10,000,000 books.
In the Meiji Period, many universities were established in the Kanda area. The demand for books rose dramatically. Many publishers, printers, binders, agents, and bookstores also came to start their business, helping to create the world famous book town, Jinbocho.
Today the streets of Jinbocho are still fascinating and full of book lovers.
Wednesday, February 3, 2010
Feb 4 - 16, 2010 A world of antiquarian books
Welcome to
A world of antiquarian books.
"The first botanical encyclopedia in Japan"
(Taisho Edition)
at Ginnosuzu Gallery, Kamakura
The first botanical encyclopedia in Japan
Honzou-Zufu
Honzou-Zufu is the first illustrated encyclopedia of Japanese Flora in 92 volumes covering over 2000 species of plants. It was written and illustrated by Kan’en (Tsunemasa) Iwasaki and completed in 1828 after twenty years of effort. As for plant classification, Iwasaki followed Honzo Koumoku written by Li Shi Zhen in China in 1590, which had a great influence on the study of botany and natural history in Japan. It is classified under medicinal interest for human health and is quite different from the Linnaean classification system.
Honzou-Zufu (Taisho Edition, 1916-1921) is a woodblock print copied directly from the manuscript. The only preceding publication made in the late Edo period, was six volumes from Book V (5) to Book X (10) with uncolored plates. When publishing the Taisho edition, the editor Yonetarou Iwamoto made a great effort to obtain the original manuscripts of the plates, which consisted of more than 2000 blocks necessary to finish the complete collection. Considering the processes involved in making the blocks and the craftsmanship of engravers and printers, it is a set of works almost impossible to realize today.